remote drum tracks with feel ‘and’ groove.


Hi, my name is Paul and welcome to my web page! 

I specialise in tight grooves, musicality and dynamics, all of which have kind of become my trademark. Blending in with the song in the most natural way is the most important thing for me.

So, if you’re looking for groove based live remote drum tracks with large amounts of feel, to slot perfectly into your songs and productions, you’re in the right place!


As well as the obvious cost benefits of the not having to pay for the musician plus studio / engineer combination, I hope that the quality and feel of my playing speaks for itself and you find yourself compelled to give me a try!

So I invite you to take a look around the site, or click the link below to visit my full website or check out my Youtube page.

This simple and easy solution to owning great sounding remote drum tracks could be yours within as little as 72hrs from start to finish.

If you have any questions, no matter how small, please do get in touch.

Or can check out my full website here


My heart lies in groove. A definite backbeat drummer with a love for all things that groove. My approach to funk, rock, soul, hip hop and electronic music is one and the same.

Currently Paul is touring drummer for Alison Moyet, (x)Propaganda and Brian Jackson (Gil Scott Heron).

The guitar opened the musical door for Paul and despite being in love with the bass, drums and all things percussive are Paul’s true passion. With a blistering groove and a backbeat that could kill, he has become the firm favourite for many and similarly well known for his versatility.

Over the years he has played for artists that include Labrinth, Josh Milan, Spacek, Sigma, Leee John, Rodney P and the late Don Blackman.

Producers that Paul has worked with: Stephen Lipson, Pete Waterman, Tom Misner (SAE), Livingstone Brown, Dave McEwan, James Turner, Gordon Hulbert and Jermaine English (USA) amongst others.


My studio is based in Battersea Park, South London and is a medium sized room nonetheless with a small but distinct amount of ambience and lots of vibe.

I have a great quality microphone collection that is regularly being expanded upon.

Currently these are run through high quality Audient ASP880 / iD22 and two Neve style Preamps that have been hand picked to ensure your remote drum tracks are top notch.

Usually I record the remote drum tracks with anything up to 10 channels which I regularly configure into 8 close mics and 2 overheads but can add a pair of room mics upon request making 12 in total.

I’m open to different microphone configurations though, so am flexible depending on what your song / remote drum track needs.

Why put up with lifeless and uninspiring drum tracks, please do get in touch today with any enquiries that you may have.

Download PAUL’s drum stems!

To get your FREE drum stems you must first enter in your name and email. You will be redirected to the download page. Enjoy!

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    What’s your turnaround time?

    From a minimum of 72hrs upwards, depending on the complexity and / or the number of revisions of the remote drum recording.

    How much does it cost / what are your prices?

    Please contact me for a quote, each song / project is priced on an individual basis.

    Do you also program drums?

    Absolutely, some examples are up on the website.

    Which sample rates do you record in?

    44.1kHz, 48kHz or 96kHz.